Kdo chodil s Vanessa Bell?
Duncan Grant datováno Vanessa Bell od ? do ?. Věkový rozdíl byl 5 roky, 7 měsíců a 22 dny.
Roger Fry datováno Vanessa Bell od ? do ?. Věkový rozdíl byl 12 roky, 5 měsíců a 16 dny.
Vanessa Bell
Vanessa Bell rozená Stephenová (30. května 1879 – 7. dubna 1961) byla anglická malířka a návrhářka interiérů.
Byla členka Bloomsbury Group a starší sestra spisovatelky Virginie Woolfové. Vzala si Cliva Bella, člena Bloomsbury Group stejně jako Virginia, která si vzala Leonarda Woolfa. S Clivem měla celkem dva potomky, prvorozeného Juliana a mladšího Quentina, s Duncanem Grantem nejmladší a jedinou dceru Angelicu. Spolu s rodinou žila na samotě Charleston Farmhouse. Zemřela v 81 letech. Julian zemřel v Španělsku, Quentin v roce 1996 a Angelica v roce 2012.
Přečtěte si více...Duncan Grant
Duncan James Corrowr Grant (21 January 1885 – 8 May 1978) was a Scottish painter and designer of textiles, pottery, theatre sets, and costumes. He was a member of the Bloomsbury Group.
His father was Bartle Grant, a "poverty-stricken" major in the army, and much of his early childhood was spent in India and Burma. He was a grandson of Sir John Peter Grant GCMG KCB, 12th Laird of Rothiemurchus and sometime Lieutenant-Governor of Bengal.
Přečtěte si více...Vanessa Bell
Roger Fry
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was an early figure to raise public awareness of modern art in Britain, and he emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ... In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde.
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